Converting to Digital Teaching

As I’m writing this, I’m getting bombarded with communication regarding COVID-19. Teachers that I follow virtually and some that I know personally were just notified that their classes are being moved to online-only, and some have been given almost no time to prepare. In general, teachers in America are freaking out. And for good reason. We’ve been focusing on building relationships through engaging, face-to-face classroom instruction, and suddenly almost all of those descriptors have been taken away.

The good news for us is that this is only temporary. We must find a way to adapt and carry on. However, most of us don’t have the luxury of a two-week vacation and instead are told to carry on our classroom instruction…via the internet.

Well I spent some time brainstorming and a little bit of time researching and I’ve come up with an acronym to keep in mind when transitioning to temporary online instruction. Tell yourself to look for GAPS:

Gracious

You are likely frustrated or frightened of a sudden change in workspace, but remember that most of your students are probably feeling the same way. As you design due dates and determine what your students will do with their time at home, consider their abilities when working at home. Ask yourself: will all my students have access to these materials?* Will my students be juggling other stressors in their life related to this emergency? How much other homework is being given by other classes? Above all, if a student is struggling with the transition to online, make yourself available and be gracious in helping them cope with this change. Consider having “office hours” and hosting a Google Hangout once a week so students can chat with you if they have questions.

*Note: Do not require students to continue to work online unless your school mandates this. Not all schools or families are equipped for this setup!

Adaptable

Along with graciousness, make sure you remain flexible as you and your students transition to an online learning environment. Don’t be surprised if your plan fails, technology doesn’t work (warning: it won’t always work), or communication isn’t clear. Plan for confusion, and be ready to roll with it as needed.

Prepared

The best way to go forward in this new territory is with an organized plan. This does not mean you have to have all elements planned, troubleshooted, and prepared before day 1. However, you should aim to be planned at least one day ahead. Also, make sure you preview all materials you require your students to complete, view, or take, and consider what you will do if any of these plans need adjusting.

Specific

To avoid complications or miscommunication, it is important to be as specific as possible when transitioning to online learning. Be clear on what is required versus what is supplementary. Be clear on what needs to be done before an assessment, and when an assessment is due. Be clear on how you are available for help and the best way for students to reach you. Clear communication and guidelines will only save time for both you and your students.

Now that you’ve got the right mindset to approach this new change, it’s time to prepare your materials. Rather than start from scratch, look for ways to work smarter, not harder. Rely on materials that are already posted online for your lessons, supplementary materials, or even for assessments. See my list at the bottom of this article for several resources you can access to assisting you in online teaching. As you organize materials to post to your students, sort them into categories. I’ve taken my materials on How to Read Literature Like a Professor and divided them out so you can see how this translates to high school ELA.

Pre-Lesson Work

This refers to the material you want done before students take any assessments, participate in discussions, or post any assignments. This would also exclude the lesson materials themselves. Assigned readings or homework are the most common criterial for pre-lesson work. It is very important to be clear on what needs to be done before they progress, and that it should be done before anything else.
Example: Students must:
– read chapters 1-3 of How to Read Literature Like a Professor

Online Lesson

Here is where you include materials you have created or cultivated to assist in student learning. Consider, what do they need to meet this lesson’s objective? If you are able, post your own materials here, such as handouts, lecture notes, or even a video you’ve created of your content. To save time, consider posting online materials that teach the same content.
Example: Students must:
– review the guided reading notes correlating with How to Read Literature Like a Professor chapters 1-3

Supplementary Materials

When posting supplementary materials, consider your most at-risk or high-needs students. What extra help would they need to meet your lesson’s objective? Remember that while you want all students to see it, these resources are ultimately optional. If you need students to do it, move it to the online lesson. While it can be easy to eliminate supplementary materials, they can often be integrated to engage your students with a simple media clip. See my related post on integrating media to engage your students.
Example: Students can:
– watch the video “The Beauty of the Dinner Scene” on YouTube (correlating with chap 2)

Discussion Opportunity

This is an optional element, but most teachers (and students!) find themselves missing the interpersonal aspect of the classroom once the learning moves online. If you can, incorporate a discussion forum or other method where students can still see, read, or hear from one another.
Example: Students must:
– Post to the discussion forum online and answer the following question: Provide an example of a “vampire” archetype from a book, movie, or short story. Explain how this character fits the archetype as Foster describes in chapter 1.

Demonstration of Understanding

If you’ve been mandated to move learning online, this is the required part. Basically, this is the grade. What assessments will your students take to show demonstration of learning? In keeping with the GAPS tip, consider providing several options for demonstration of learning. See below:
Example: Students must:
– Complete one of the following assessments:
1) Quiz on chapters 1-3 (this quiz can only be attempted once and is timed!)
2) Write a literary analysis of a text that aligns with chapter 3 of How to Read Literature Like a Professor (see corresponding rubric)
3) Create a visual guide for “spotting a vampire” aligning with chapter 2 of How to Read Literature Like a Professor (see corresponding rubric).

I hope this article helped you learn how to approach the new paradigm that is online teaching. I’d love to hear additional tips from those with more experience or perspectives. To conclude, here are some parting tips as you approach this new teaching design:

  • Pick a learning platform you can use if your school doesn’t have one. Canvas, Moodle, and Google Classroom are all free and very popular among teachers. If these are too complicated, consider simply starting a blog and posting to that. Students would only need a website instead of any joining code. 
  • Break big assignments or big-point assessments into numbered steps. 
  • Don’t feel like you have have everything done before students begin work. Approach this experience like a first year teacher – stay organized, and be at least one day ahead. 
  • At the same time, remember that even though you’re at home, you’re still teaching and it’s still work. Don’t expect to get everything done in just one hour. Think of this way: your students are required to use their at-home time on school work and you want them to meet all of your expectations. They deserve the same from you. 
  • Allow yourself to use lesson materials and assessments that already exist. Websites like Teachers Pay Teachers, Turnitin.com, Khan Academy, and so many more already offer learning resources for instruction and assessments that can save you hours of time, and many of them are available for free!

Resources to Assist in Online Learning:

Learning Platforms:

For Lessons & Supplementary Materials:

Additional Blogs/Websites with Ideas & Tips

AP Lit Task Card Lessons and Ideas

At the beginning of the school year I was trying to think of a way to make the AP Lit standards visible and accessible for my students, so I turned the questions from the CED into task cards (and naturally, I made them pretty!). These task cards are available in my store here, but you can also make your own using the questions from the CED if you wish.

In my own classroom I’ve used the task cards to help my students reflect on particular standards in Personal Progress Checks.

So far in the school year I’ve been looking for ways to implement these task cards into lessons. I’ve given particular cards to students during post-PPC reflections (which I discuss in this blog post).

I’ve also used the task cards to attempt a bit of backward design in our poetry unit. As we neared the end of our poetry lessons, I placed all of the task cards (minus the ones on writing) around the room. I passed out the 5 central poems we had discussed and written about as a class and put their titles on the whiteboards as well. Students were asked to select a standard that matched with one of our poems, then write a 1-2 sentence response to that standard’s question. The only rule I had: Each sentence must contain a bold claim (that’s the language I use for a claim that is arguable and unique). As they posted their sentences I read their responses, gauging if they were reading for our upcoming poetry assessment (which they were!).

I’m still looking for ways to implement these task cards in my own lessons, but rather than wait for me to collect a year’s worth of ideas, I asked for help from some friends on Instagram.

Here are some other fantastic uses for these task cards in AP Lit classrooms:

“I use them in Socratic Seminar circles! Everyone picks a question within each category and they discuss them with whatever lit we are currently reading. I love them! Sometimes, I pull them out and use them to spark class discussions, too.” @Readnclick

“My students are reading 1984 right now in chunks. For the first two assigned readings…I went through the list of skills and found the skills I thought were relevant and could be related to the reading. Then, I made a Google Slide and designated one prompt per student. Students had to respond to the prompt with a claim based on the reading, and then find 3-4 quotes to support their claim throughout the chapters. Students were able to hone in on one skill for the reading rather than jump all over the place. Then, we discussed the reading in class we discussed their answers so students who didn’t have the prompt were able to hear how that student answered & add/comment if needed, and students have access to all of the quotes/answers because it was all compiled on one Google Slide!” @smccormick19

Here’s a pic from my lesson at the end of our poetry unit. Students selected a task card and wrote a sentence in response to show deep understanding.

“I’ve used them with short stories so far. Getting ready to start The Kite Runner and plan to integrate them in class discussions and in literature circles, too. Gives kids a chance to take ownership of the discussion.” @jbridge82

“I absolutely love these cards!!! I use them every day!! I have them color coded by standards and laminated. A lot of times I will do rotation learning stations for close read assignments and I use the cards to create the questions and prompts. I have also used them “Family Feud” style where I will ask questions relating to the standards and let kids “buzz” in to answer. It’s a great review!” @meganjyount

@mrsjayj sent me this picture of her students reflecting on the task card questions in connection with their study of Things Fall Apart.

“I just finished using the character ones for Things Fall Apart…I put some characters’ names in a box and I had students pick out their names and then assigned them one of the character skill task crds. They worked together to answer the question pulling three pieces of evidence to support their thinking. Then each group presented their standard question and answers. I had the students ask the presenters questions and judge if they fully addressed the standard in their answer. It led to really rich discussions. And we talked about how they should continue thinking about these questions and the standards while they’re reading and begin to annotate with these characterization skill cards in mind.” @mrsjayj

I’d love to hear more ideas of how you use these task cards, or just the questions from the CED itself, with your students to further their AP Lit studies. If you’re interested in a set of task cards like these ladies are using, they can be purchased from my TpT store here.

Your Questions Answered: FAQs About Teaching AP Lit

It’s the end of July and teachers are preparing to move back into their classrooms. A good portion of these teachers are first timers, which could mean several things. Some are bright-eyed twenty-two-year-old grads, eager to step into their first job. Some are new to the teaching field after making a career shift. And others have been teaching for years but are approaching a new grade level or subject for the first time. Teachers who are new to AP Lit often feel intense pressure to meet high standards and produce high-scoring students in their first year. Furthermore, there are countless ways to structure an AP Lit class and no standardized reading list, so many new teachers feel completely lost.

For this post I’ve teamed up with another AP Lit teacher, Ashlee Tripp, to provide two different perspectives. We asked new AP Lit teachers for some burning questions they had as they readied for the new school year, and we actually got so many that we created two blog posts to answer them all! I’ll cover half of them here, and make sure you click here to access the other half of the material on Ashlee’s blog!

Q: How many books do I teach, and which ones?

This blog post provides answers to common questions about teaching AP Lit from two experienced AP teachers.

Gina: These are the top two questions I see in the AP Lit Facebook groups. I think the number of texts we teach, an achievement that used to be competed about among AP Lit teachers, is becoming arbitrary. A teacher could teach 15 books but if her students never write then what’s the point? I say, teach as many books as it takes to do it well. For the upcoming school year, I’ll be teaching six texts (two plays, two novels, a novella, and How to Read Literature Like a Professor). I did eliminate two from last year’s list to make room for short fiction units. As for which books to pick, the College Board answer would be to find books that are complex, diverse, and engaging. However, I think it’s equally important to teach books you love. Students can sense when you’re teaching a book because you have to, making them less likely to read it. I would encourage new AP Lit teachers to stick to some “safe” texts, but don’t be afraid to take risks. If there’s a new book that you think would be perfect for AP Lit but you don’t know if it’s “AP approved,” take a leap and try it out! And also, don’t forget to let us know how it went! AP Lit teachers are always looking for books to add to our must-read list.

Ashlee: I think you have 3 camps on this—those who read more than 10, those who read 5-10, and those who read 3-4, and you just have to decide which camp you would excel in as a teacher! I give a summer survey, and consistently over 80% of my kids identify themselves as readers. It just makes sense to me to push my kids to read a wide range of texts. I constantly get e-mails from graduates thanking me for making them read more because it helps them manage the reading load of college. We’ll be doing nine novels (three choice, two book club, and four whole class) and two plays this upcoming year. That’s cutting three books from last year to include even more poetry and short fiction than I have ever done! My first year teaching AP Lit, we did all whole class reading chronologically: Oedipus Rex, Beowulf, The Canterbury Tales, King Lear, Paradise Lost, Candide, Frankenstein, Crime and Punishment, Heart of Darkness, The Handmaid’s Tale, and A Thousand Splendid Suns. Last year, I let the kids choose their whole class texts; out of a list of ten, they chose eight, had one book club, and three choice books. This year, I’m still thinking about it, but there have been major curriculum changes in our lower grade levels, so I’ll be adjusting for that and the new standards. As of now, I’m thinking we’ll move thematically and do dystopian book clubs (previously summer reading) followed by a whole class read of 1984, a Shakespeare play (I’ll probably let them choose), Frankenstein, The Great Gatsby, Invisible Man, The Importance of Being Earnest, and a Contemporary option in book clubs. I may end up cutting Invisible Man in favor of something shorter depending on how the year is going, but I like to have them read a longer text if time allows. My kids have never had a year where they took the exam and didn’t have at least five of the texts we read listed for Q3 (though I don’t think it’s that big of a deal if you don’t cover the listed books).

Q: How much do my students’ scores matter?

Gina: It depends on your school and your administrator. Most administrators will look at your scores and possibly discuss them, but from a data standpoint. I think you should always look at your scores and learn from them, but never define your teaching ability or your students by their scores. Keep them tucked away in a file or file cabinet, make any necessary changes to the following year, and move on. 

Ashlee: My admin looks at our AP scores, but I don’t think they matter as much as we sometimes think they do. My principal sends congratulatory texts to anyone over the national averages in July, and we get our essay exams back, but that’s about it. I think it depends on your school and your state. I use the scores to plan and set goals for the following year… last year I wanted to improve Q2 responses and multiple choice averages, and we drastically improved on each because I was more intentional on planning for those things! I also let kids talk me into doing a poetry standalone unit instead of weekly poems last year, and our Q1 responses went down by 0.2 points. Never again! LOL Just remember you can always do more poetry, and poems are short and sweet and oh so complex.

Q: How much of my time should be devoted to test prep?

Gina: The answer to this question depends on how much of your course is driven by the exam. If your test double duties as a dual enrollment or Brit Lit course, the exam may not be the best assessment for the work you do. But if you teach the AP Lit course at your school and the exam is the ultimate end goal for the course, I’d recommend at least 20% of class time be spent on test-prep activities and assessments. My class is strictly an AP class so we do multiple choice practice tests at least every quarter and timed writings each month. With the new AP Classroom resources being posted, I am hoping to do shorter multiple choice activities each week if possible. My literature units are also driven by the new AP Lit standards and many of our activities are filled with close reading and analysis activities. Some of my units, like my prose analysis unit and my test prep unit, are purely driven by the exam, but could apply to SAT and ACT preparation as well.

Ashlee: We spend April specifically on test prep, but I do go over the format of the exam and the expectations at the beginning of the year, and the kids do a mock exam in August, in December, and again in April. Otherwise, we’re just a college-level English class, and I treat it as such. If you’re teaching your kids how to think critically as they read and write, then you’re preparing them for the test the entire year.

Q: How often should students practice timed writing?

Gina: My students complete a timed writing about every two weeks. I’d actually like to do it weekly but I can’t handle the grading load. One way to incorporate more on-demand writing is to scale it down. Sometimes I just ask students to produce a thesis statement or a short outline for a text we’re studying. I give them a few minutes and we share in class. This only takes about 10 minutes in total, rather than spending an entire class period on a timed essay.

Ashlee: I do a full timed write about as often as Gina, maybe a little less. And we do tons of thesis statements, outlines, paragraphs or discussions of released prompts throughout the year. I’d rather get through more texts than spend an entire class period every week doing a full essay. That said, they read, write, and discuss at least one text every single day in class. 

Q: Can I see a sample syllabus?

Here’s an example of the first page of my visual syllabus, a version I switched to last year.

We got so many requests for this! I recently moved from a written syllabus to a visual one, and Ashlee has explored this as well. The links to all four examples are included below:

Q: What does a typical class period look like?

Gina: My lessons vary depending on what we’re studying and what day of the week it is. Our school is on a modified block, so once a week I get them for a block period. On these days we start with a vocabulary quiz and a poem study. This takes up about half of the class period, so most of my classes are structured to last about 45 minutes. I’m not nearly as structured as Ashlee, and my lessons vary by what we are reading. Sometimes we spend almost an entire period in small and whole group discussion, other times we move from lecture to discussion to independent reading. I’m usually pretty amped up to start each lesson so I prefer to begin with bell-ringers or introductory activities and conclude lessons with independent reading. 

Ashlee: I wish I was more structured! I’d love to model my class after Penny Kittle and Kelly Gallagher’s 180 Days, but that’s still goals for me. I do start with 10 minutes of reading every day, and then from there it depends on the day! I use the same strategies in AP that I use in all of my classes: learning stations, gallery walks, Socratic seminars/discussions, think pair share, silent discussions, speed dating, circles, etc. I have 50-minute classes three days a week and an 80-minute block once a week. Ideally? It would probably look something like this (though it doesn’t always):
10 min. free reading 
10-15 min. text study/mini-lesson (longer on block days)
20-25 min. writing/discussing/practicing (longer on block days)
5 min. sharing/closure

Q: How do you vary your teaching patterns to avoid monotony, but encompass recurrent practice of the same skills?

Gina: I pick different summative assessments for each long fiction unit we complete. They vary between a test, Socratic Seminar, long essay, project, and more. Each one has a timed writing, but everything else varies. I have also begun pairing literature lessons with mini-lessons on certain skills or materials pertaining to the text. For example, in Frankenstein we explore Paradise Lost and foils, whereas in Things Fall Apart we study proverbs and folk tales. Honestly, every unit seems pretty different in my AP class! The things that do become a routine are our weekly vocab quizzes and poem studies. Those are ever present, no matter what unit we’re in. 

Ashlee: One way is through the volume of texts we read and study, but I also try to change up how we’re interacting with a text from day to day, how we’re responding, how we’re learning… and I’m always trying new strategies and adjusting! 

Q: What’s the best wine to pair with essays?

Gina: I’m not an avid wine drinker, so I’m going to defer to a fellow Facebook member for my answer. She said:
Persuasive Essays: Merlot or rosé
Narrative Essays: Sauvignon blanc or pinot noir
Expository Essays: Chardonnay or cabernet

Ashlee: Where’s the moscato? Actually, Hemingway said to write drunk and edit sober, so I don’t tend to pair grading essays with wine. Maybe that’s why I despise grading so much!

Want to see more questions answered? Head over to Ashlee’s blog to read the rest!

Gina Kortuem has a Masters in education from Bethel University and is going into her 14th year of teaching AP English Lit. She works in a parochial K-12 school in St. Paul, MN where she teaches AP Lit, Brit Lit, Shakespearean Lit, and the sophomore English 10 classes. In addition to teaching the class she has worked as an AP Reader five times and has scored for each essay type. She teaches full time and also runs the Teachers Pay Teachers store AP Lit & More.

Ashlee Tripp is a high school English teacher in Douglas County School District, just south of Denver, CO. She has an MAT English and BA in psychology with a focus in neuroscience. She currently teaches AP Lit (seniors), College Composition I and II (juniors and seniors), and Young Adult Literature elective (juniors and seniors). This is her fourth year teaching AP Lit, but she’s been teaching for a decade, two years at the college level and eight years at the high school level. In all of her spare time she enjoys reading every genre of literature and writing for her blog. You can find her blog, Life’s a Tripp, at http://www.ashleetripp.com and purchase AP Lit and other teaching resources from her TpT store that she recently started.


The Hidden Power of the AP Open Question

One of the most common questions asked among new and veteran AP Lit teachers alike is, “What titles should I teach?” It is not an easy question to answer, as the list of titles listed on the AP Lit exam numbers over 400 now. Plus there are other considerations, such as length, authorship, genre, diversity, difficulty, and many more. When considering a change in titles, one overlooked tool is the history of the exam itself, namely in Question 3: The Open Question.

Disclosure: This post may contain affiliate links that earn me a small commission, at no additional cost to you. I only recommend products that I personally use and love, or think my readers will find useful.

A free download of this list is available on TpT, since it’s getting hard to find online!

The first way to use Question 3 is by studying the questions. For example, I noticed over in 2016 that many of the questions being used for the Open Essay were geared toward gothic novels. I switched from reading just Frankenstein to studying gothic novels in a book club unit, just in time for the the 2018 exam, which was geared perfectly for gothic novels. In fact, Frankenstein, Dracula, and The Picture of Dorian Gray were all suggested titles to study. After that, I began looking closer at the types of questions included on Q3 and making adjustments as needed. A document with all of the open questions can be downloaded for free from my Teachers Pay Teachers store here.

Another way to study the Open Question is to examine the titles included in the suggestions. Remember that students aren’t required to choose from that list, so I don’t suggest requiring them to do so. However, the list does inform AP Lit readers the types of titles that the College Board is reading…and recommending. I recently studied suggestions from the 2019 exam and there were three new titles never mentioned on an AP Lit exam before. They were:

Now I’ve got some titles to add to my never-ending “To-Read” list! This list also emphasizes some of the most popular and treasured titles among the College Board. The titles that have been listed more than ten times are:

This compiled list of AP Lit titles is also a free download from TpT!

While AP Lit teachers do not need to choose from this list, these could be looked to as reliable choices. The whole list of AP Lit titles from the Open Question can be downloaded for free from Teachers Pay Teachers here.

One last way I study the Open Question is by looking at what titles are “trending.” I use this term to describe titles that have been included on the exam in just the past 10 years. Titles such as Don Quixote, The Bluest Eye, and The Mill on the Floss were suggested for the first time in over ten years. The most suggested titles in the last ten years are:

Studying trending titles can be enlightening in finding popularity among more recent works. For example, Oryx and Crake was only published in 2003, and yet it’s been suggested on the exam four times already. If one were looking for a strong modern contender, that would be an excellent choice. A document listing “trending” titles is available on my TpT store as well, but is not available online anywhere else! Click here to access it!

I hope this helps explain how studying former exams, particularly the Open Question, can help you make course decisions. Please feel free to download the resources linked here. They are available for free! They are linked below for your convenience.

AP Lit Open Response Titles List

Open Response Question Prompts for AP Lit

AP Lit “Trending” List

Everything You Need to Know About the New AP Lit Guidelines

As you may have heard, the AP English Literature course is getting a bit of a redesign this summer, becoming effective in Fall of 2019. For the full report released by the College Board, click here. For the remix version, keep reading!

Many AP Lit teachers are already starting to panic about the new changes because frankly, changes are scary. But based on my reading and some discussion with other AP Lit teachers, I think these changes are positive overall and nothing to be scared of. 

Here are the main things to know: 

The biggest change is that the AP Lit essay rubric is changing to an analytical, itemized rubric similar to those used on the AP US History and AP European History exams. The actual scoring guidelines have not been released yet, but the writing prompts are more specific in what students need to write about. More information will be provided at the AP Reading this summer and will be sent out to AP Lit teachers as well. 

AP English Literature seems to be embracing different forms of fiction, perhaps even moving away from the old-fashioned “literary merit” model of years past. Instead, the course description breaks the literature down into three categories:

Much of the new changes to the AP exam are supported by an abundance of new resources being supplied by College Board on their new AP Classroom webpage. The webpage is advertised below:

Because of the new emphasis on “short fiction,” AP teachers are already talking about adding more short fiction, such as excerpts from novels or short stories, and eliminating some longer works. This builds on Senior VP of CollegeBoard Trevor Packer’s tweet last summer hinting that this was the new direction of AP Lit. (I discussed this tweet and its ramifications in a blog post last year as well!)

If you are feeling overwhelmed still, that’s perfectly natural. I too had a small moment of hyperventilation when I worried I had to eliminate all novels from my curriculum and add short stories instead. However, after reading further, and talking to some level-headed AP Lit teachers, here are my personal take-aways:

  • These are guidelines. No changes are necessary to your AP Lit courses, except maybe tweaking your on-demand essay rubrics eventually. 
  • CollegeBoard will be releasing more practice questions and resources to help new and struggling AP teachers starting in the fall. 
  • CollegeBoard may start allowing analysis of shorter prose works, even short stories, on Question 3, which overall means more modern and realistic reading material and student expectations. 

Because of a student trip to Italy this June, I am unable to attend the AP Lit scoring in Salt Lake City. However, I have some friends who are sending me the materials as soon as they get them, and rest assured I am setting aside some time this summer to develop TpT resources based on the new writing expectations. If you have any additional questions for me, or suggestions for future resources, please email me at aplitandmore@gmail.com. Finally, I encourage you to check out the new course description (linked above) and sign up for the AP Classroom resource